Winner of several international film awards, the highly praised Israeli animated film, Waltz With Bashir, was expected by many to win an Oscar for best foreign film (although it didn't win.) Lauded by the Jewish Telegraph Agency as "a film that suggests a nation caught in the depths of a profound collective amnesia, unable or unwilling to come to grips with one of the most troubling episodes in its history" and slammed by Haaretz's Gideon Levy as "an act of fraud and decit, intended to allow us to pat ourselves in the back to tell us and the world how lovely we are," Waltz With Bashir reveals a puzzling paradox in Israeli society. How can the same public who voted the film the third most favorite Israeli film of all time also have overwhelmingly supported the recent blockade, bombing and invasion of Gaza, and elected a right wing Knesset (whose third largest party is the anti-Arab party of Avigdor Lieberman)? We talk with cultural critic Liel Leibovitz whose Nation essay Waltzing Alone tries to make sense of this dissonance.